20.9.14

Twelve Rules about Characterisation

1. Know your character and his or her problem.
2. Get inside her skin. Reveal character, emotion and problems, settings and protagonists from your main character’s viewpoint. Live the story through her thoughts and dialogue. Show don’t tell.
3. Describe the character’s external appearance as succinctly as you can, picking out the most essential and intriguing details, interweaving it with dialogue and action. No clichèd lazy descriptions, and don’t overwrite.
4. Show your character through action. Show their body language and behaviour as they react to others.
5. Speech and voice: Make this as distinctive as possible, and different from other characters.
6. Show how the character sees herself or himself. Let her know herself, describe her own appearance, behaviour and inadequacies. And understand her own problems.
7. Show the character as others see her. This will be different for each secondary or minor character and a major part of their role.
8. Show how the viewpoint character sees and relates to those about her. Her friends, family, lover, etc.
9. Use the setting to flesh out the character. Is it a part of her or an alien place? Does she love it or hate it? How does setting affect her and her problem?
10. Make her motivation for any action clear. What makes her choose one particular course of action? Remember she must develop and change as the story progresses and come to terms with herself. She should not act out of character without good reason.
11. Character will affect plot but only if you give her plenty of problems to solve. Action and reaction. Contrast and conflict.
12. Let your character find her own solution. One that is true to her rather than convenient to the plot. Do not contrive an ending to get yourself out of a hole. Do not be predictable.

‘Polly is made of stern stuff. . . the tale of her courage and grit against the backdrop of a Northern city in the grip of depression makes for a powerful narrative.’ 
Newcastle Evening Chronicle on Polly's Pride and Polly's War 
 


19.9.14

Scotland

David and I have just enjoyed a wonderful few days break in Kirkcudbright. We used to visit every year when the children were small, in our caravan, so it was great to visit old haunts. It was part of a research trip for my next book but a lovely holiday too.

Broughton House on High Street was the home of the artist E A Hornel, which still has his studio, exactly as it was in his time, and a beautiful Japanese style garden.

Broughton House


The harbour on the River Dee was lovely too, at one time a thriving port with regular imports of coal and lime and exports of grain, oatmeal, potatoes, wool and general farm produce. Now with only a few fishing boats in, but fishing is popular in this region.







 
There's also a marina for leisure boats.
And here's MacLellan's castle, little more than a ruin but with a fascinating history, and so long as you have a good imagination you can see it was once a most imposing town house for the laird. Building started in 1449 and Sir Thomas moved in five years later where he entertained James VI. It was meant to show off his wealth, which unfortunately didn't last.

MacLellan's Castle



27.8.14

Fair Girls and Grey Horses - review

Fair Girls and Grey Horses, the biography of the Pullein Thompson’s country childhood is a beautifully told nostalgic trip through the twenties and thirties right through to the end of the war. Related by Josephine, Christine and Diana in turn, it describes a delightfully eccentric family. The sisters spent their time raising bantams and geese, camping out in the garden on summer nights, reciting poetry to each other, and avoiding a formal education as much as possible.

They lived at The Grove in the village of Peppard in South Oxfordshire with their brother Denis, Mamma, and their father, Harold James Pullein-Thomson, whom they called ‘Cappy’ as not only had he been a Captain in the Great War, he’d suffered badly as a result so tended to be rather bad tempered. As a consequence the girls were closer to their mother. Joanna Cannan became their mentor and inspiration as she was delightfully bohemian and tolerant, a woman who defied convention, and a busy author who spent her mornings typing out her novels. When asked if the twins were quite normal, she retorted: ‘Good God! I hope not.’

The main preoccupation for the three sisters was of course caring for ponies, starting with sharing one between them, to owning over forty and running their own riding school. The individual characteristics of these ponies is beautifully illustrated, providing the sisters with ample material for their future careers. They would sit around the kitchen table and write their own collective stories for their own magazine before moving on to publish their first book Picotee, followed by Josephine writing Six Ponies on her own.

Diana taught one pony to undo the bolt on the stable door, and the other ponies watched carefully, learning how to do it too so that they all started to escape and new locks had to be fitted. Others would not care to be told what to do and would try to avoid jumping, or tip the young rider off their back. I can certainly remember having similar problems with the ponies we had. The first was on loan from a riding stable for the winter, to test out whether my daughters could actually cope with owning one. Bonny fed so well on the grass in our paddock that she took off one night and a local farmer woke us up so that we could give chase and bring her home. But we did buy the girls a pony, and here she is, called Lady. She was lovely, but did not care for the blacksmith as she hated having new shoes put on.


The Pullein-Thompson sisters went on to publish 200 books between them, adored by their fans, including my own daughters who read their way through the entire collection when I was running a book shop. These delightful pony stories aimed to show girls that they could succeed with their dream, even if they were not intellectual or clever, so long as they were passionate about what they did.

Fair Girls and Grey Horses, by Christine, Diana and Josephine Pullein-Thompson. 
Published by Allison & Busby.

21.8.14

Southport Flower Show



 
Enjoyed a lovely visit to the 2014 Southport Flower Show at the end of last week with lovely weather, as always. There were some gorgeous gardens and flower displays. As you can see here.



We also enjoyed the dog display team. What clever, lively dogs they were, and they obviously thoroughly enjoyed themselves racing, jumping through hurdles and hoops, and pulling the fire engine. Great fun.

26.7.14

Biarritz

The beautiful Basque area was conquered in the sixth century by the Romans, who named the region as Aquitania, or Aquitaine, because of the tradition for raising horses. The name coming from the Latin word “equites” meaning horses.


Biarritz is one of Europe’s most beautiful and stylish cities, has been a popular all year round holiday resort across the ages, very much a favourite destination of the wealthy in the nineteenth and early twentieth century.




Lydia, in My Lady Deceiver, considered it an essential part of the season that she spend winter away from the cold of England, relaxing in Biarritz, a beautiful and stylish coastal town close to the Spanish border. It was very popular with the British upper classes for its mild climate, stunning beaches, and sense of elegance and style. She always insisted on staying at the Hôtel du Palais, formerly the summer mansion of Napoleon III, which seemed reason enough for choosing it, so far as Lydia was concerned.


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The hotel overlooked the main beaches and the Atlantic Ocean, and was decidedly chic and luxurious, a veritable honeypot for the very best people. Which meant, of course, that it was also the perfect place for society gossip. Lydia very much liked to keep abreast of who among her friends was having an affair, or considering remarriage. She might even keep her eye out for a likely new husband on her own account.

The ladies would walk along the Quai de La Grande Plage as far as the Casino Municipal, a large white building with awnings over a parade of shops to protect them from the sun as they browsed in the windows. Wooden walkways led down to the beach where rows of tents were set out where guests could change into their bathing costumes.

The Hotel du Palais overlooks Biarritz’ main beaches and the Atlantic beyond. Its luxury and ageless charm coupled with the areas’ outstanding sports facilities make the Palais an international Mecca for vacationers and sports enthusiasts alike. The casino was a large white building set on the beach, with awnings over a parade of shops to protect the ladies from the sun.

Formerly the summer mansion of Napoleon III and Empress Eugénie de Montijo, The “Villa Eugénie”, was built in just ten months and completed in 1855. During the next sixteen years, the imperial couple spent almost every summer in Biarritz, accompanied by other European royalties. In 1880, Banque Parisienne bought the Villa and converted it into a casino, opened as a hotel in 1893. It became one of the prestigious addresses of France. Queen Victoria, Edward VII, the Duke of Connaught, and many other members of royalty stayed there. But on February 1st, 1903 the hotel caught fire, after which it was rebuilt with an additional wing and altered with several storeys. The rebuilding, completed in 1905, was designed by the famous Belle Epoque architect, Edouard-Jean Niermans, and still reflects his style to this day.

Once a drowsy fishing village of Biarritz soon became a resort town for the wealthy and fashion conscious.

19.7.14

Sanctuary from the Trenches of WWI

Enjoyed a fascinating day at Dunham Massey in Cheshire which was transformed into Stamford Military Hospital during Word War I. By the time it was closed in Febuary 1919, 282 soldiers had been treated there. Lady Stamford ran the hospital from her parlour and the nurse in charge was Sister Catherine Bennett.



For this centenary year the hospital ward has been recreated based on original records from Dunham Massey's archives. You can see the original bed from which the others have been copied, read the medical notes and letters from the soldiers, and learn all about their personal stories. Yes, those are real people in the beds, a couple of actors playing the parts as ghosts from the past.





You can also see the room where they played chess as these two young men did while we were there, and also where the nurses escaped for a little break. You can even see a set up of the operating theatre.



 






The house itself is beautiful, as are the grounds.

Most definitely worth a visit.








13.7.14

Ironbridge Museum

I enjoyed a wonderful day at the Victorian Town, Blists Hill, Ironbridge on Friday. Fascinating place to visit. I do wish I'd had more time to explore but it was lovely to meet with readers and have time to chat. Here I am dressed as a parlourmaid. (I know my place)


 I shared a table with Jean Fullerton, dressed as a nurse with her World War II sagas.


Some of the other authors present whose novels include alternative history, regency romances and historical sagas:

Jenny Barden

Juliette Greenwood as a suffragette

Annie Burrow as a Regency lady


Kate Johnson

Alison Morton


 Here's the group of Romantic Novelists attending the fair:



And a passing steam engine.